Where’s Wally ? We’re all Wally
8 January 2008
ABSTRACT
Wally Hope aka Phil Russell is a legendary figure. It was he who inspired the gatherings at Stonehenge that became the Stonehenge People’s Free Festival. The multiple use of the name Wally in his time was a playful and idealistic attempt to create havoc with officialdom.

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Pourbusstraat 5, B-2000 Antwerpen - BELGIUM +32(0)3.226.06.30
IF IT’S TUESDAY, IT STILL MUST BE BELGIUM (1987)

It’s Tuesday, This Must Be Belgium was reworked in 1987 as a made-for-TV movie, titled If It’s Tuesday, It Still Must be Belgium.

When a tour bus driver plans to save his daughter from her captors, a Belgian circus performer, the Americans on his European bus tour lend a help hand. (All Movie Guide)

Camping in situ their common purpose was discovering the relevance of this ancient mysterious place. Eventually they were kicked out. The eviction process involved seeking a High Court injunction on named individuals.

Aware of this potential loophole the occupants decided to exploit it and so they all adopted the one name of Wally. The calm of the High Court was shattered as the Wallies of Stonehenge sought justice. The name Wally lost its efficacy by becoming over-identified with Wally Hope. Although the Wally camp was run as an open and undisciplined commune, Russell saw himself as the leader and was not afraid to issue orders. Read more


Other articles in this chapter

That was the invitation - Far from the archive.
Vacature – part-time Administrator - Potential Estate is looking forward to continue expanding the moving space between things in close collaboration with a motivated agent helping us define the blanks in our practice.
Meanwhile in Belgium - Review of recent articles in the Village of Belgium newsletters.
The Crying of Potential Estate - Opening event (24/01/2008) of Cabinet Wally Hope was The Crying of Potential Estate, a real-time auction. The auction offered a story for sale cut up in sentences. It was developed as a scenario for live television broadcasting.
On air - Movie : making of the recording of the sound of the video "Money, Lots Of Money".
Out of Print - Meeting Jean Ducat.
Relocation Test - Excursions around Red Star Line will take place in the frame of Cabinet Wally Hope.
Anal. map - You and our other visitors coming from 106 cities.

Indiani Metropolitani

Nous pouvons tous entrer dans un devenir-noir, dans un devenir-indien, ce qui fut d’ailleurs justement l’intuition humoristique et géniale des Indiens Métropolitains à Rome. (...) Indiani metropolitani est le nom adopté par des groupes d’étudiants et de jeunes travailleurs précaires du Mouvement de 1977 en Italie, point culminant du mouvement de l’Autonomia. Le nom se réfère au fait que ces groupes s’autodéfinissaient comme les habitants d’une sorte de "réserve culturelle" par rapport à l’ordre établi (du travail). Les Indiani metropolitani ont surtout existé à Rome où ils organisèrent des performances au printemps de 1977, et à Bologne, où se forma le groupe analogue Cellule mao-dadaïste. On pourrait dire que ces groupes étaient sous influence situationniste avec une matrice ouvriériste.

Felix Guattari *

in Felix Guattari/Suely Ronik, Micropolitiques, Les Empêcheurs de penser en rond, 2007, pp 111 & 475.

* (le titre est de la rédaction)

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The Disappointment : Or, The Force of Credulity

Brief Synopsis : The Disappointment : Or, The Force of Credulity is a documentary/musical/fairytale by media artist Brian Springer that explores the legacy of 19th century U.S. anarchism, treasure hunting and spiritualist folk lore through the story of the Springer family’s decades-long search for buried Spanish treasure in the caves of Missouri. The video project grounds the family’s personal history of treasure-hunting into an expanded social/post-colonial context by exploring the repressed histories of a series of atrocities as they reappear transfigured, displaced and disguised in contemporary notions of "discovery." The Disappointment places pressure not just on notions of documentary truth but also on the contested line between legitimated and non-legitimated ’popular’ knowledges and beliefs.

Look at the film here

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